How To Shoot Cars: </br>Ten Tips For Harsh Conditions
Soaking wet

It’s nearly been ten years since I started taking photography a bit more seriously, and since then I’ve shot in 25 countries. I learned a few things here and there about travel photography in general, but I wanted to touch a bit on photography in harsh conditions. These are just a few tips that will keep your gear safe and hopefully give you a little more time in the field. After all you can’t create amazing images from your couch.


1. It’s better to overpack. I learned the hard way. I never trust the weather reports, because they tend to be too unreliable.


Extra shoes, extra socks and extra warm clothes could mean the difference between shooting comfortably or getting sick. I was very happy I brought extra clothes after I fell through the ice at Gatebil this year.


It could mean the difference between walking around in wet shoes all day even after you’re done shooting, or not. I always eat the cost of the extra baggage fees just so I can bring extra shoes and everything else that can get wet or destroyed. I was shooting in ankle-deep water in Malaysia this past year for Formula Drift.


2. Bring compressed air or a blower of some sort. I swear that the engineers behind the cameras that we use today don’t actually do any shooting out in the field. Even the top-of-the-line cameras get eaten up in the dust. Dials get jammed, sensors and the internals go to waste.


If you’re doing a local event or if you’re road tripping it, then you can bring compressed air. If you’re flying, then it’s better to stick with a rubber blower.


Compressed air and blowers also help with removing surface water from cameras and lenses.


Just a few pumps or squirts of air will clear a camera of snow or whatever else you get in trouble with in the cold. If you use your breath, then the viewfinder or front element gets fogged up very fast.


3. Use gaffer tap and lots of it. There is two reasons I use gaffer tape (also known as racer’s tape): to keep water and dust out and also to keep the resale value up.


Even though it’s a thin layer protecting your gear from bumps and scrapes, you’d be surprised to see how much of a difference it makes.


Tape up all the seams on your water-resistant gear to make it even more so. Since I was not planning on using manual focus shooting in the snow, I just taped up the focus ring. It’s just another way for water to get in.


The last thing you want is for some moisture to get in. If there’s some fogging inside the lens, then just leave it out in the sun under a paper towel. The moisture should evaporate. Never, ever leave your lens exposed in the sun – you could burn a hole inside it.


4. Plastic bags are your friend. I always carry a few trash bags with me no matter where I go, just in case of rain. If you want to opt for a bit more protection, you can go with a fancy cover like this one from Think Tank.


You could also use some waterproof pants: one leg for the lens and one leg for the monopod. Easy and cheap way of protecting your gear from the rain.


Back in 2012, it rained so hard at Spa Francorchamps that my shoes were about five centimeters under water at the bottom of Eau Rouge.


Of course it was nothing compared to the rain in Kuala Lumpur!

Still really wet

5. Bring individually wrapped microfiber cloths. I usually get them from Ebay, but they come in handy because they’re sealed from the weather and you can have them in your pockets.


Using a rag is fine for the outside of your body, but it can leave streaks and lint if you try to dry the front element.


I can’t tell you guys how many times this saved me out in the field, because it’s nearly impossible to dry the front element of a lens with your shirt when it’s pouring outside.


While the front element largely stays dry if you keep the camera in your bag and keep the lens hood on, it can get wet very fast when there’s spray from cars going by.


6. Use a good water-resistant camera bag. This one is important, because most large camera bags come with a water shield, but it’s impossible to have such a large bag with you at all times.


It’s nice to be able to carry a bag with just the essentials, especially when you’re shooting in harsh weather.


Basically, everything that you need to keep dry or dust free goes in that bag. Extra lenses, batteries, filters etc… Here was a great photo of Retrospective 20 bag from Think Tank frozen solid. The soda I had sitting in the side pocket turned into a slushy treat.


I rode snowmobiles for four hours and that little Think Tank bag kept my camera and accessories dry as a bone.


7. Find a home base or clean area. This one is also very important. It’s always nice to have a place to relax a bit and escape the great outdoors.


It’s also nice to have a clean place to change lenses, even in the harshest environments. I found myself searching refuge from this crazy sandstorm in my friend’s Jeep during the King of the Hammers race.


Sometimes it could just be an empty pit space. Just try not to get in the way of any race teams. They will physically pick you up and move you if you’re in the way.


Sometimes the best place to seek refuge from the elements is on top of a lawn chair.


8. Hydrate and bring food. It’s very easy to lose track of time when you’re shooting. Especially when you’re shooting on location over rough terrain.


The worst thing you can do is to let your body shut down from heat exhaustion.


The best way to keep energy levels up is to drink plenty of water, especially when shooting in hot conditions – and eat while you shoot.


That way you can go for longer, and the longer you’re out in the field, the better chance you’ll have of getting that perfect shot.


9. Label your equipment with your name and number. This applies to pretty much everyone who has a camera. Often, when you’re shooting, there are other people around you with similar gear.


It’s easy to get things mixed up with other photographers, but most of all you would not believe how careless some people are.


I’ve seen gear returned by patrons and track officials, but it wouldn’t have happened if there wasn’t a name or number on the gear. It’s so easy to forget a lens or a flash on a table somewhere as you battle for those images. Label your stuff.


10. Damaging your gear is not the worst thing that can happen. It’s not the end of the world. I see it as a risk versus reward kind of thing. There’s always a level of risk that you have to accept to get those winning images.


I’ve seen people drop their DSLR with 70-200 attached into the Pacific Ocean. He acted fast and pulled the battery out as soon as he scooped it out of the water. After a few hours of drying, he put the battery back in and it worked perfectly.


Then again, I’ve also seen guys who just break down mentally and they stop shooting as soon as they break something expensive. That’s not how to do it, and that’s not the point of being out there in the field in the first place. If you cry every time you break something, it may be better for you to stay home. It’s rough world out there, but somebody has to photograph it.

Larry Chen
Instagram: larry_chen_foto



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Nice to hear about your world.


Two things will survive the apocalypse... Larry and his kit.


Speedhunters_Bryn  three: the Volvo 200 series


When there is heavy rain or a lot of mud use RAIN BOOTS!!! I would have never made it without my rain boots at last year's Nurburgring 24h. But me and my colleague were the only two guys wearing rain boots in the whole media center. 10 Euro rain boots bought at the local market worked like a charm! It seems that some chaps out there want to be "fashionable" even when shooting... lol :P


aussieANON Speedhunters_Bryn  Buwahaha, I'll leave mine parked outside his house. It might come in handy!


Speedhunters_Bryn aussieANON  
The undefeatable triumvirate: Larry shooting from a 245.
This is what nightmares are made of.

Sort of related, but I want an update on your wagon or whatever you've got now. Turbo volvos make me feel all funny inside. I have a severe amount of want for a 242 with one of those super rare competition 8v heads and a big turbo.


Can you clarify about getting for in the lens. You say that should leave it out in the sun and then you say that you should never leave it in the sun, something's missing there, not sure which to go by. Thanks for a great article!


*fog in the lens


aussieANON Larry in a Volvo. Now that would be amusing! As well as invincible.  

Funnily enough there's an update in the works, as ever with these things far more rock and roll events get in the way. I've had it 13yrs now so it's not about to get sold any time soon.


I make my Canon Waterproof, not by using tape, but sealing it from the inside. That way even when I drop it into a puddle of water, moisture can't get inside. It's a kind of black silicone which also happens to be heat resistent gasket sealer ;)


Kevski Style  That is way beyond me, haha.


RiccardoCarbone  I love being fashionable.


Speedhunters_Bryn aussieANON  My first car was a red 740 GLE '86


I keep a rubber band on my 70-200, so when I do have to don a plastic raincoat on the lens, I can secure it in place, and don't have to worry about the bag shifting and moving about. I also have one of those rain jackets that fold into themselves, and keep it tethered to my bag. Staying dry at long events goes a long way.


Larry Chen RiccardoCarbone  Ha, yeah when ever I see you fashion is always the first thing that pops into my mind. Dat sunhat.


Sad part is that majority of us can't afford to risk it all. Photography isn't a cheap hobby (or profession) and a damage on your gears can blow a deep hole in your pocket. Dusts, no matter how much care you put in, will still sip in your lenses. Image sensors will also suffer as time goes on, and you'll see what looks like dead pixels on your images. Indeed playing it too safe won't get you anywhere but you need to weigh in the risk and reward. 

It is also fair to assume that most of us don't do photography for a living, thus you don't earn anything except capturing that wonderful image. For some, that's more than enough, but for others, not really.


I've once had a Škoda Superb accidentally drive over my cased GoPro and it was all well. To this day I marvel at that.
Anyways, thanks Larry for this awesome article! I agree big time that you gotta keep going even if your equipment gets broken.


T Brian  I got my leg run over on a shoot last September... And I still work too! I do lie in some stupid places though! :)


Larry Chen Speedhunters_Bryn aussieANON  You outlasted it didn't you? :)


Maybe something else worth mentioning is insurance.  Check into a personal articles policy with your insurance company.  For about $100 I can cover all my gear, including multiple lenses and bodies.  I once dropped a camera and lens combo and it covered the repairs, no questions asked.


I love the how to shoot cars series! Just last weekend I was wondering how best to water proof my gear from rain. Another helpful post, thank you!


Larry you're so rugged. You should do a paper towel commercial!


sean klingelhoefer all thats left if the chuck norris style beard!


Nikhil_P sean klingelhoefer  In reality I am frail as Mr. Burns.


BrentSmith1  Good point, although it does not mean you can go buck wild. There is always some kind of fine print with camera insurance.


It’s rough world out there, but somebody has to photograph it.

Salute Mr. Speedhunter.