Cutting Room Floor: Film Versus Digital

I have a photography problem I want to share with you all: I’m torn between shooting with my film and digital cameras. This little issue reared its head when I decided to pick up my film camera once again for an article about the Scion FR-S. This renewed my passion for shooting film, and I quickly added to my camera collection. I now own three film cameras: a Nikon FG, Nikon FM2-t and a Leica M6.

I understand that film will never be good as digital for the kind of work I am doing. With that said, I just love the process. So instead of doing one or the other, I just carry both with me whereever I go. I just love the uniqueness of film. It’s never perfect, and I love showcasing how it looks straight from the camera.

With digital, there is no excuse not to get your exposure, colors and composition perfect. You have basically unlimited ammunition to play with. Unable to decide between these two mediums, I decided to put together a story post with photos from both types of cameras. Half of them are shot with my film cameras and the other with my digital cameras. None of these shots have been published previously.

I marked the start of the season with the most stressful event of the year. Formula Drift Long Beach is impossibly hard for me, as it runs to a compressed time schedule.

It was neat because this year one of our drivers, Fredric Aasbø, competed in the Toyota Grand Prix of Long Beach Pro/Celebrity race. He ended up winning in the Pro class, but he was not fast enough to catch up with one of my favorite comedians, Adam Carolla.

Even with all that hectic stuff going on, I still found time to shoot a few frames with my film camera. I just love the look, and you can really tell with that smooth filmic roll off. I am in rather deep now, as I have invested in all the chemicals and a film scanner in order to publish film photos as fast as possible.

I only had a chance to shoot Christian Rado a few times this year. This was him at Global Time Attack looking pretty pissed off after his motor blew.

The dedication of his team and crew is amazing. It’s like they don’t even talk to each other – they just kind of know what needs to be done. They are definitely a fun bunch to hang out with.

One of the series that I followed this year was the Global Rally Cross Championship. It is still relatively new to the States, but I know it will catch on because it is just so darn fun to watch.

The fact it is paired up with NASCAR makes it really cool, because one of my guilty pleasures is shooting NASCAR.

It is just so fun to shoot, and I just love the atmosphere surrounding this kind of racing.

What made me laugh were some of the comments I saw when I posted some of these photos on my Facebook. Some people were asking how I could possibly shoot action with film.

Some of my friends have been shooting action with film over 30 years. Many kids today don’t realize that digital photography is still fairly new.

I started with film right when I got out of high school, and I never really had the chance to shoot motorsports with film. I guess you can say I am making up for lost shots?

One story that slipped through the cracks this year was Fredric Aasbø’s Toyota Supra Modified.

Without front body panels it just looks so mean. It sorta reminds me of a hot rod.

I asked him, “Wow Fredric, do you think you could have drifted this thing any lower?”

He just laughed it off. After all, wasn’t drifting originally about the style that you have?

Fredric was too busy prepping the car for its first trip to China, and we ran out of time to do a proper shoot. Oh well, maybe I will shoot it next time I am in the land of communism.

The second most stressful event of the year for me is always Formula Drift Irwindale. It’s the finals, and there is always so much to do in such a short period of time.  Somehow I even shot a video in the middle of it all.

It will be an event I will remember for the rest of my life. There were just so many spills and thrills; I could not take photos fast enough.

Vaughn Gittin Jr was just one battle away from earning his second championship. It’s crazy how it came down to the wire. It shows how evenly matched the top guys are now.

This was one of my favorite shots from the whole year from my Leica. I just got super lucky with some guys flash going off as I was shooting this. If I remember correctly, it was 1/60th of a second at f/1.2, and I was using Ilford HP5 film.

I had a chance to check out Justin Pawlak’s new paint job at the Formula Drift Hurricane Sandy charity. It debuted at SEMA this year, but it just looks so cool while in drift.

This was another one of my favorite shots on C-41 film, scanned in color. I went to Justin Pawlak’s personal shop, also known as Hotline Performance, and he was just tidying up a bit.

The event the day after the Irwindale Finals, is the Formula Drift Banquet. This was when all the awards were given out, and it was also a time for the boys and girls of the FD paddock to let their hair down.

It was also a great time to put rivalries on the back burner and just become friends, even if it was just for one night.

It was nice to see drivers out of their race suits and the FD staff out of their uniforms.

This year Fredric cleaned up big time. If things keep on going the way they did, I have a feeling we will see him on the top of the championship standings next year.

I went to ’86 Fest this year, but I just did not have enough time to put up coverage. It was a great event, and quite a lot of Toyota goodies came out.

One of the original Speedhunters, Antonio Alvendia, put it together, and I have to say he did a great job. He even brought out his own Hachi Roku for a little bit of sideways action.

Hopefully I will have a chance to cover it better next year, because it was a shame to waste all my shots. Although, you may find a few of them in the next Speedhunters book.

Normally the All Star Bash is held during the 4th of July festivities. Because that was in the middle of the Formula Drift season it was hard for many of the Pro drifters to come out and support this grassroots event. This year they moved it to October, which helped not only with attendance but also with the temperatures.

I had a chance to shoot one of my most popular stories of the year there.

With all of these awards we have been giving out, I figured I’d make some of my own up for fun. Who knows, maybe some of these will catch on.

The Taking Speedhunting the Most Seriously Award goes to Edward Sandström. He actually wants to skin speed and eventually eat it later.

The Hardest Name to Spell Award goes to Sean Klingelhoefer. To this day I can’t spell his name without going to the Speedhunters front page.

The Most Likely to Eat Your Food Award goes to Fredric ‘The Norwegian Hammer’ Aasbø. He needs that nutrition to stay tall.

Best Cat Impression Award goes to Formula Drift driver Corey Hosford. He convinced me that he was a cat, even though cats don’t normally talk.

Fearless Leader of the Year Award goes to Rod Chong. According to Sean our ship would have sank a long time ago if it was not for Rod. I agree wholeheartedly.

Best Beard Award goes to none other than Bil Baldwin, everyone’s favorite Cal Club corner marshal.

Best Hair of the Year Award goes to Daijiro Yoshihara yet again! He wins every freakin’ year!

And the Photo Stance of the Year Award goes to this guy. What ninja-like mastery this guy had in the art of shooting photos. Congratulations to all the winners!

All joking aside, I have realized there really is no place like home. Out of all the places I have traveled, I always look forward to stepping off the plane in Los Angeles.

Every time I was abroad I missed this smoggy and congested place. I can’t imagine living anywhere other than the City of Angels.

I guess that’s it for the year. I really look forward to 2013, and I can’t wait to hunt some more speed. January is just around the corner.

Larry

larry@dev.speedhunters.com

More stories from Larry Chen on Speedhunters

More cutting room floor stories on Speedhunters


Tags: ,


39 comments
Vladimir Ljadov
Vladimir Ljadov

I photograph a lot of Automotive action with film. Carry a heavy Canon EOS 1 (without a D) next to a digital camera. It's great because all my lenses and flashes work with both EOS cameras and 35mm one gives a special feeling and kills the modern art issue of original or copy (my original is the negative and than all the copies are scanned from it).

 

I try to photograph older cars on film - it's kind of right, and shooting a glossy R8 would be, in most times, inappropriate. So american classic cars and drag races are my main 35mm subjects.

 

Cheers Chen!

tenpennyjimmy
tenpennyjimmy

Funny piece Mr Chen! And great shots as per usual. One thing tho: people have been shooting action with film for 30 years? More like 130!

 

PS

Nikon FG, Nikon FM2-t, Leica M6, chemicals and a film scanner. Mr Chong, you appear to be paying your photographers too much ;)

Magnumleigh
Magnumleigh

Glad to hear you're shooting with film too. I've been doing it since school and still love it. Hard to beat snapping away with a digital and the law of averages means you're bound to get a decent photo that way. But taking the extra time to set your camera up correctly, thinking about your shot then choosing the right photo to take is the effort that rewards you with warm, grainy, analogue magic. Love the photos, looking forward to more And try medium format too ;)

mbretschneider
mbretschneider

I think this discussion has a lot of areas that it can relate with. As a Graphical Designer i often get my heart torn apart by two forces in drawing: traditional or digital (with a tablet or CAD) , as a gearhead, i think it would be the same as having a project and deciding between carbs and EFI, and so on...

 

Both medias of drawing, both options of induction, have its pros and cons, film and digital are no diffrent, somethings only the film can give you , some results are only avaliable on the DSLRs... in the end , the medium of choice is a thing for the artist to decide i think, with diffrent medias you have diffrent approaches to the same content, and thanks to technology you can share and join those experiences (come on , scanned film, it rocks) to create something unique that you wouldnt be able to do before computers but also wouldnt be able to do without analog film!

ELxTORO
ELxTORO

this may sound a bit stupid, but why not create a digital camera that RANDOMLY selects imperfections when taking each shot? it can give you the uniqueness of film while having the "unlimited ammunition" of digital?

JoshuaWhitcombe
JoshuaWhitcombe

this makes me want to dig out my mums old film camera and get a roll of film to try it out, amazing photos Larry

Lastspark
Lastspark

There is no difference. Digital is easier. The picture looks the same in the end.

sean klingelhoefer
sean klingelhoefer moderator

Amen. Here's to a more-analog 2013. Time for me to break out the V-bodies :) 

LouisYio
LouisYio

Man, i hate darkrooms. I've wasted a good amount of film in the past because I suck at processing. I don't even try anymore. I just take it to a photo lab and pay five bucks for someone to take care of it for me. Favorite has to be Ilford XP2 because of the nice contrast it offers.

bil baldwin
bil baldwin

thank you so much for the award. i am honored and humbled.

 

TRDAE86
TRDAE86

Please post the 86Fest stuff! 

Castro
Castro

I have never not shot film,  but like you i carry and shoot both now.   The film just looks better, actually took talent and skill to get the photo, and is so much more visceral and will be here in 20 years, as digital just disapears into deleted websites, crashed hard drives, and waste baskets.

 

So glad you are shooting film Larry, the stuff looks great.  Lets go on a film adventure sometime, I got about 20 rolls of outdated ILFORD super XP2 BW, sitting in the fridge, lol.

 

PS.  Nice to see Antonio getting some well deserved coverage :)

Difinity
Difinity

Yes, using digital (for most of us) is like building a car with only 60% of the engine. The depth and range of film is so much greater. With blank & white, try some classic film type if you can get any (Kodak, Ilford, Fuji). The more recent b&w films are mostly mono colour technology (uses colour processing tech) to get the variable film speed. You might also want to try the Zone System for exposure - technical, but very rewarding. See Ansel Adans work on that. As for shooting speed on film, I started shooting Bathurst in 1976. The French started with film for racing not long after it was invented. Now if only I could find somebody to service my old Contax camera... :-)

Chris Harrington
Chris Harrington

Great job Larry...It's good to see that the art of shooting on film is not lost.  You are, without a doubt, the hardest working photographer I know.  I break out into a sweat just watching you at the races.  Keep up the good work mate!

aFOUSTchick
aFOUSTchick

@Driftfotos I love it! Great choices! of course Dai wins best hair. His hair legendary and more famous than his driving! Lmao

sam
sam

larry i really love your pictures, thank you and keep it up

LeonardoSang
LeonardoSang

I am a film shooter myself, it's something else. I also love my DSLR, but it's a different love hahaha. Shooting cars on film sounds pretty amazing (:

ssbeane
ssbeane

Nothing beats the process of shooting black and white film. It's how I got started in photography back in high school. Nothing will teach you to measure twice and shoot once better than film. Great shots!

250SWB
250SWB

Very nice, coincidentally I just started shooting again with my AE1. Film gives a much more humane feel to the photo, it seems to capture and communicate time better than digital. 

daveylad
daveylad

Very nice Larry, glad you kept up with the film camera. They provide great colours. Always feel sunlight treats film differently which gives it a much better summer feel. Great article as well, been a great year it seems for you!

 

ps. huge thumbs up for the m6!

Fearedisx
Fearedisx

Whoa whoa whoa c'mon now. Daigo Saito had some pretty rad hair this year! I think it was a contender!

PaddyMcGrath
PaddyMcGrath moderator

Huge amounts of man love for you Larry. Huge.

Larry Chen
Larry Chen moderator

 @Magnumleigh Medium format is just a whole different animal. I think for the work that I do, I will stick with 35mm for a while. Who knows maybe you guys will see me track-side with a 4x5 camera.

Larry Chen
Larry Chen moderator

 @ELxTORO That is possible, but having limited ammunition is part of the fun, making every shot count.

Larry Chen
Larry Chen moderator

 @Lastspark Not true, the pictures will never look the same.

 

Even if they did look the same the feeling you get shooting film is much more rewarding. 

Larry Chen
Larry Chen moderator

 @LouisYio Eh, if you shoot some B&W rolls I can develop them for you :D

Larry Chen
Larry Chen moderator

 @Castro Thanks buddy. I am down, you can use one of my bodies :D

Larry Chen
Larry Chen moderator

 @ssbeane Thanks. Yeah I am kind of ebrassed to say I only learned how to develop film this year. The good thing is I am using it almost every day to publish as much stuff with film as I can. Plus I feel that it keeps me on my toes.

Larry Chen
Larry Chen moderator

I had an AE1, I loved it, but I sold all my FD lenses for EF lenses. Now I totally regret it.

Larry Chen
Larry Chen moderator

 @daveylad I love the M6, I bring it everywhere I go. Maybe later down the like I will fork over the cash for an MP.

Larry Chen
Larry Chen moderator

 @Dekro Yeah, but for some reason, Dai's hair looks like that after he takes off his helmet. I think its because he brushes it in his car before he gets out.

Castro
Castro

 @Larry Chen Nice,  I think both my FG's are having shutter issues :)


OFFICIAL SPEEDHUNTERS SUPPLIERS