The Classic Motor Show at the Birmingham NEC is a Mecca for retro car fans: hall upon hall of clubs, cars for sale, restoration workshops, auto-jumble and auctions. For me it turned into an unexpected journey of nostalgic bliss, with cars at every turn that triggered memories from across my life: childhood pin-ups, cars that my grandparents owned, my dad’s first sportscar and more.
At these kind of shows you’re always faced with an overwhelming quantity of vehicles, and I usually find that it’s only when I get home and start editing that I find out which cars piqued my attention above others, by way of finding multiple shots of specific cars. Whilst gleefully shooting away I find it difficult to make deliberate decisions on which cars in particular stand out, so am happy to leave it to my subconscious. With that in mind, here are my stand-outs from the show – picked by the power of my mind.
What with our recent visit to JD Classics, I’ve been on a bit of a Jaguar frenzy recently, but with the upcoming F-Type and the sheer quality of Jaguar’s heritage it’s well deserved. Talking of the brand’s history, the company have been putting a big push behind reminding people of exactly that fact. Jaguar Heritage turned up to the Classic Motor Show with a whole squadron of Jags to take up residence in the heart of Hall 20, which otherwise mostly contained sales and restoration firms. But this car put me into an immediate, irresistible orbit that was impossible to break out of.
This is an XJ220C: one of three factory racers entered in the 1993 Le Mans 24 Hours in the new Grand Touring class, the precursor to the epic GT1s of the mid to late ’90s.
It’s not any old XJ220C either: it’s the class-winning car driven by David Coulthard, John Nielsen and David Brabham – and I say ‘win’ deservedly, as win it did despite the fact it was disqualified after the race.
#50 beat the French #47 MMI Porsche 911 RSR by two laps on the day, only for the ACO to decide – one month later – that the Jags weren’t running catalytic convertors. Which no other car was either. The XJ220Cs were run by Jaguar stalwart Tom Walkinshaw’s TWR team: not the best chums of Le Mans’ organising body, the ACO… TWR won their appeal – but in turn the ACO ruled that the appeal had been lodged too late, so the win was taken still away, leaving rather a bitter taste in the mouth.
The racing XJ220C is an obvious forerunner to the big GT1s that were to come: supercars taken to the ultimate level, where the racing car began to be the catalyst for the road car rather than the other way round.
In racing form the XJ220C wouldn’t look out of place on a modern GT grid. Except in being bigger and better.
Just round the corner was this sleek regular 220: not that it looks anything but beautiful, but the road car does have a lot of stylistically dateable rounded edges and bulges that all had the knife taken to them for the GT, creating a much more brutally simple shape.
From brutal simplicity to just brutal full stop and the Marcos LM600 Evo: the ultimate version of Marcos’ GT racer and one of my favourite racing cars ever.
There was only ever one of these insane machines built for the road in the mid-’90s, complementing the half-dozen wide-body LM600 GT racers. But the LM600 Evo gave a whole new meaning the phrase wide-bodied: it looked like it had been put into a cartoon car-crusher, taking a car that already seemed the width of most tracks and flattening it to virtually pancake proportions. The Evo is just 39 inches high!
The original chassis was built in 1995 but never completed. Cor Euser’s Dutch Eurotech team bought the Marcos racing team in 2000, and Euser needed a road-going homologation special to get the required authorisation for his racing LM600 Evos. This chassis was dusted off and new bodywork made to satisfy the officials, although once again the car was never completed.
After sitting around for a decade it was bought by a Marcos enthusiast a couple of years ago and fully restored – and finally finished. For driving on the road it looks even more impractical than even, well, a normal Marcos. The bulge in the enormously long hood shrouds the 5.7-litre Chevy small block V8; even in racing form drivers said they had to drive looking diagonally out of the car, like in a fighter jet. Crazed brilliance.
Keeping the British theme going, an iconic car with a very apt number plate.
The Lotus Esprit, made famous by its appearance in several James Bond films, was a definite poster-child of the ’70s and ’80s. The uncompromising aero wedge shape created by Giugiaro is shown off to perfection in this classic white with black detailing, as seen in The Spy Who Loved Me (one of the best car chases ever) – though this is a Series 2 posing in Bond S1 guise.
The rear-mid inline-four engine was mounted longitudinally right behind the cockpit: they always look like being an enormous pain to work on. Long arms and patience must be required…
Specialist marque cars have always had an element of ‘bitsa’ to them, and the Esprit reused a number of components from the parts bins of other manufacturers. For the Series 2 the large rear light clusters were taken from the Rover SD1, replacing Fiat X1/9 lights used on the S1.
The Citroën DS looked like it was from the future: the result of mating a supertanker to a hovercraft, it’s incredible to think that the DS was introduced to an incredulous market as early as 1955. There’s never really been anything like it before or since.
The DS was all about hydraulics: it powered most mechanicals of the car, including the suspension and transmission. The self-levelling hydropneumatic suspension was a revelation in handling terms at a time when most cars still had solid axles, and even allowed for easy wheel changes by the use of a built-in stand when the car was pumped up to maximum height.
This lovely DS23 was a Pallas model: the luxury upgrade that added directional quad headlights, a leather interior, external detailing and improved noise insulation.
The cockpit of a DS was a calming place to be: floating along on the cushion of air, driving a DS was a luxurious experience. Though that didn’t mean that the handling was soft as well, as the car’s response was surprisingly sharp through the mono-spoked steering wheel. The selector stick for the hydraulics was mounted just behind the wheel, and the brakes operated by a small pad next to the gas pedal: more of a button than a pedal
The only part of the DS that wasn’t modern was the original inline-four engine, though the Pallas model added in fuel injection which improved things. The cavernous bonnet also stored the spare wheel, which contained the factory-supplied tool-set.
The DS is becoming ever more popular, with its quirky style, large size and intriguing ride quality enticing people into restoring them. This one was going for less than £4,000 in its current state – though ten times that if you wanted it fully restored!
Next up, a car that is a modern reinterpretation of a past classic supercar: a Jensen Segrave. Based on a Jensen Interceptor, the Segrave is based on a heavily updated original Interceptor chassis and has been put together by Valley Gas Concepts.
It’s also known as the Viperceptor, which gives a clue as to what’s under the bonnet.
That would be a huge 8.3-litre Viper V10, putting out 630bhp.
The exterior lines stay true to the original, specifically with the iconic wrap-around rear screen and C-pillar shape. The name pays tribute to multiple Land and Water Speed Record holder Henry Segrave: the team hope to make a small run of the Segrave with optional engines on the cards.
The interior features all modern switchgear, though the wheel continues the homage to the original.
Finally, a car that shows off the future from the past. In the future?
The Delorean DMC-12 links to the aforementioned Esprit: it was also designed by Giorgetto Giugiaro and used a similar Lotus-derived chassis backbone.
A surprisingly large number were constructed: over 9,000 during two years of production between 1981 and ’82. I’d always thought of it as a short production-run failure, but that’s quite a number of cars to be flying around.
The raw, brushed stainless steel bodies tend to look as pristine now as when they were new, and the body-shape looks far more modern than its ’80s origin. Back to the future indeed. The gullwing doors have lights on each interior edge when raised, giving a sort of Terminator robot aspect to them… That’s even more appropriate when you read the spec of the door support system: cryogenically-preset torsion bars and gas-charged struts!
The interior is a definite nod to the ’80s though. The grey material doesn’t really travel through time that well – perhaps in black, the only other factory option, it would look less of the period…
…though the Delorean salesman on the Owners’ Club stand also sported a rather wooden ’80s look.
The three-litre V6 in the DMC-12 provided less than stellar performance, despite the continuing high tech theme (like the Vacuum Hose Routing diagram affixed to the interior of the bonnet – surely a Flux Capacitor?), and put out just 150hp. Still, it’s a car where looks do the talking…
With 11 halls at the Classic Motor Show, this has been just a small selection of the cars on display: I’ll be taking a deeper look around the whole event in the next story.
Follow the links for more info on the Jensen Segrave.
Follow the links for more info on the Jensen Segrave.
I remember seeing the Marcos LM600 racing at Le Mans; it was quite the underdog but had such an aggressive "I am here to eat your children" look to it that I became an instant fan. From memory it raced Le Mans during the GT1 heyday (mid-90s, prior to the most recent use of GT1 by SRO) and ran well but I do not recall if it ever finished Le Mans. The car(s) went on to race the Dutch Supercar championship at the hands of Cor Euser, but I was not aware his team had acquired the motorsport division of Marcos. There are great videos on YouTube of the LM600 racing at Spa that are well worth your time; complete with the throaty howl of a V8 and a bonnet bulge obscured view of the circuit!
That would be the worst part of Delorean ownership, not the woeful 'performance' of the engine but peoples constant unfunny jokes about 'flux capacitors'
soooo annoyed about this!!! i was next door at the world skills show (which was useless!) and my dad wasnt willing to fork out a few quid for some tickets!!!
ARGH! especially after seeing these cars!
Two things. The XJ220 TWR, amazing. And the Marcos, even more amazing! I do like the Jensens, new and old too.
A couple things regarding the DeLorean: The engines were selected as being the only "cheap" alternative after Ford told Johnny Z to take a walk. The car was originally intended to be powered by a 302 mounted transversely. The "PRV" B28NF was a reverse-rotation, longitudinally mounted Peugeot/Renault/Volvo 2.8 V6 with a paltry 135 horsepower from the factory in Belfast. Oddly enough, the majority of the components on the DMC-12 were "off the shelf" from other european manufacturers with Renault supplying the gearbox (Alpine), Lotus the windshield (Esprit), Ford (steering rack, ball joints, shocks).
The "dated" interior DID come in Black, but finding an '81 in Black is next to impossible. From the sources that I've located, only a small handful of '82s had the black. I should note that for the most part, the DMC is better denoted by "series" rather than model year as two vehicles within the same model year could be quite different (fixed antenna was replaced by a power one, gas-flap in the bonnet, "style" lines in the bonnet, etc).
Further, there were TWO (possibly three, sources debate it all the time as to the legitimacy of the third car) that had a TAN interior that matched a Gold-plated body.
A pioneering concept of the DeLorean is that while the "backbone" was steel as per the Lotus Esprit, the underpinnings of the car were the first real use of a Fibreglass underbody as a structural component to which the stainless panels were bolted and glued.
Lastly, "official" Production was 8582 units from '81-82 with a small handful of cars that were "left" on the line after shutdown being completed later by hand - the rest were broken up for parts.
Funny story about the original die molds for the stamping of the stainless bits - they were sold off as scrap metal and used as anchors for fishing nets.
there are a few guys that dared to swap different engines in the back of their DeLoreans. I know of at least one Audi 1.8T, one 2JZ ( http://www.engineswapdepot.com/?p=1020) and one Cadillac Northstar V8 (however that fit I dunno).
And if I remember correctly the cars used in filming Back to the Future had Porsche engines, cause the original ones didn't allow for the flamboyant driving style
I've heard that several times, and the "engine hanging over the ass" arrangement of the car certainly allows for snap oversteer similar to a Corvair or similar-period 911 (new 911's are wicked fast but BOOOOOOOOOORING). My experience with the car is that at least on wet roads an abrupt "lift" of the throttle mid corner will send you crossed up in a hurry as the tail end of the car tries to pass you. The unfortunate part is that the serious lack of horsepower prevented the ability to "Drive it with your right foot" - and I've heard from people close to the original filming that they actually soaped the ground to help the car slip a bit more on the wet pavement.
For the burnout scene I can tell you wholeheartedly that a stock DeLorean couldn't do this without the help of a line-lock , which was very likely used - though my experience in film work has seen us use ratchet straps to hold a car back for an epic burnout. It's doable.... but I wouldn't expect the same result at a stop light on dry roads....unless you still had the original Goodyear's on the car which would be akin to hockey pucks by now.
All said, I HIGHLY doubt that they would have spent the time and energy to swap the engines of the cars, but it's tough to say. Universal still owns three of the film cars, two more were destroyed (one was parted out, the other unfortunately was merely a "shell" that got hit by a train), and a sixth is somewhere in a private collection though it hasn't been seen or heard of since the early 90s. The three cars Universal still owns retain the factory PRV engine - and in fact one of the cars (used for interior scenes in BTTF 2 and 3) is an '83 with exactly zero miles on it - you can see the outside of it in BTTF 2 when they're "landing" in the future - note the Euro version of the taillamps and the slightly different "exhaust vents".
Had the DMC lived perhaps 12-18 months longer we likely would have seen production of the "Firestar 500" model which featured a twin-turbo version of the PRV.
Is the new Jensen AWD?? The origonal's were (the FF model, which was one of the first production awd cars) & I love how they stuck a viper motor into it as homage to the origonals which had the big 440 v8s. Even if its only rwd I love this car. I always thought Jensens were great looking cars & way ahead of their time!
the delorean salesman looks like a wax mannequin...is that a felt sportscoat?
and i like the bizarre monospoke steering wheel in the citroen.
What have they done to that poor Jensen... No Interceptor deserves this fate. Other than that, great cars.
@Tony240Z I see it as more of a reborn Interceptor. Like the current Challanger & Camaro. It looks like the old model but it has all the modern features of cars today. I love it!
Dusty Monkey Tony240Z This is is an old Interceptor that was cut up into the contraption we see here. A modern reinterpretation of the Interceptor using brand new parts and a newly constructed shell would be fine, but sacrificing a perfectly good classic car to create this is too much for me. Call me a purist, but I'm not a fan.
@Tony240Z I was not aware that was the case. I thought that they were new vehicles based on origonal parts, but i did a little research after I posted & I agree with you. Even though I think they look great they should not have cut up & drastically changed the origonal cars. Esspecially since they were rare to begin with. :(
Tony240Z Dusty Monkey The Jensen is a near miss IMO... but a big miss nonetheless. Dig the Interceptor tho. What i would love to see is a somebody do a much more basic custom job on one, a bit resto-mod, a wee bit bosso: cool engine swap, suspension refresh & lowering, chrome & bumpers strip, and some bad-arsed wheels... maybe even bolt on fender flares. A la the MBG Mr Musselwhite photographed here http://www.speedhunters.com/2012/04/speedhunting-bryn-musselwhite-car-life/ which reminds me, why can't we see more of that B? Please?
If i had the time&money&expertise...
Tony240Z Dusty Monkey PS loving the mini Brit revival that seems going on on SH at the mo. Thank you Mr Moore et al. I think it would be cool to see a SH feature on Bristol, their history, their showroom, their eccentricity etc... they have a cool legacy garage hidden in a lockup across the road from the showroom (or used to).